January 17, 2011
Stop Motion Animation: Transport
Re-edited video from 2007, fixed up in 2011. This video began with a sound piece by Holly Lang and Young Jae Jang. I edited their piece down to 40 seconds and animated it using paint, chalk, and charcoal.
December 19, 2010
Paintings from Palo Alto
I painted these while I was house-sitting/cat-sitting at Katie’s house in Palo Alto, summer 2009. 10″x12″ oil



July 15, 2010
Drawings on the Light Rail
March 29, 2010
On the Light Rail

Erica- this is as far as I got drawing you before Lutherville, so I’ll have to do the rest out of my head. Thanks for the pencil, I felt crippled without it.
6″ x 12″
graphite on paper
A couple months ago I told you I’d give you a drawing in exchange for a pencil, so since I can’t give this to you in person, not knowing really who or where you are, I’m posting it here. Maybe you’ll find it someday if I put enough relevant tags and you happen to go looking for it.
February 27, 2010
Landscape Wednesdays
January 10, 2010
Four Views of North Ave.
I painted these while looking out the window of my studio on the second floor of MICA’s Bank building, a converted warehouse on North Avenue, now called the Studio Center. That semester I primed tons of 30″ x 22″ sheets of cream colored Rives BFK with matte medium. I always had clean or half painted surfaces ready to go. These paintings are in oil paint on that paper ripped into half or quarter sheets.
January 8, 2010
Model with ladder
When the class resumed the next week, we had a different model! That was odd painting this 5 foot by 6 foot painting with one model one week and a different one the next.
December 16, 2009
November 25, 2009
Standing Model Progression
On Friday, at the figure drawing session, I experienced something more convincing than the beauty of the human form– the pain of the human body. The older man modeling strained hard on every pose, but on every break he returned unknowing to the same position. His final pose is more beautiful than the grace of his resting. He attempts to hold the pose for the entire twenty minutes, and the modifications that he makes in his stance show the strain it puts on his body. He begins straightforward, tall, and determined. And so slowly, so slowly that only the evidence of the drawing proves it has happened, he shifts his weight to his left leg, and eventually rotates his hip and bends his knee to alleviate the pain.






































